Kursi Taman

« Only a writer as gifted as Peter Ho Davies could capture the full weight of a century’s history with such an extraordinary lightness of touch. In his deft hands the dust falls away from a collection of hoary images—the building of the transcontinental railroad, the steaming laundry in Chinatown, the Dragon Lady flickering onscreen—revealing Chinese-American lives and desires in all their freshness, intensity, contradictoriness, and depth. Buoyant yet profound, unsentimental yet affecting, and above all beautifully written, The Fortunes reimagines in thrilling ways what the multi-generational immigrant novel can be. » – Sarah Shun-lien Bynum, author of Madeleine Is Sleeping and Ms. Hempel Chronicles

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Last Piano

The Fortunes is the kind of book that raises far more questions than it resolves. Not only does it present a vast swathe of often-ignored history, in deftly fictionalized form, it’s an empathetic book, not just to its protagonists but to its secondary and tertiary characters and even, often, to its villains. It questions motivations, feelings, intentions, rarely certain despite the author’s fictional imperative. Sometimes I found myself wondering ― why is Vincent Chin’s friend curious at all about the kind of father-stepson relationship Chin’s killers had? Why should I care?  But The Fortunesisn’t out to convince you that you should care about that, or anything in particular. Instead, it’s doing what a great novel should do: revealing what there is to care about and to think about. Even better, it’s revealing those questions about a slice of history that America needs to be dealing with.  The Bottom Line: In a thought-provoking, sharply written, four-part novelistic chronicle of Chinese-American life, The Fortunes proves uneven at times but the powerful prose and themes shine through.”—Huffington Post

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Naga Asaf

NO EVENT IN HISTORY COULD HAVE PREPARED HIM FOR THIS.

Mark Hawkins, former park ranger and expert tracker, is on board a research vessel on the Pacific. But his work is interrupted when the ship is plagued by a series of strange malfunctions and the crew is battered by a raging storm…

« Jeremy Robinson blends myth, science, and terminal-velocity action like no one else. »-Scott Sigler, New York Times bestselling author of Nocturnal

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Since You’ve Been Gone

The MC was likable enough, but inconistent, waffling between whiny and focused. Kind of got annoyed with how much he continued to be surprised by everything. I know that is probably realistic of how someone would actually behave there, but that didn’t make it any less annoying to read. He is constantly in fights and sometimes he wins through some skill or by luck, but you never seem to know when it is one or the other. Definitely not worth $9.99, and will not buy the others until the price is reduced.

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To All the Boys I’ve Loved Before

This is what happens when you put science-fiction, fantasy, moral development, and political-science into a blender. Sword of the Bright Lady is the story I’ve been waiting years to find; I’m glad someone has finally written it. Fans of S.M. Stirling and Eric Flint will feel right at home with Christopher as he struggles to reconcile his gentle nature and modern sensibilities with a world filled with goblins, magic, and medieval privilege. World building is often one of the more difficult aspects of Sci-fi/fantasy and in this regard Planck has scored very high, while reading SOTBL I did not notice a single instance where Planck broke his rules.

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Trans Hutte Ros

The characters are profoundly uninteresting; the protagonist and his wish fulfillment magical creature being the most obvious offenders. I would not be able to name one character trait the protagonist is supposed to have to save my life. We are supposed to believe that his harem, the village women and the magical girl, see him as this wonderful man, but it is absolutely impossible to see any endearing traits about him even when in his harem’s POV.

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TREANA NE CONNAIT PAS LA NUIT

The writing style is good and I enjoyed reading the book until about 70% in. At that point things went as such a fast speed that I got the feeling I was missing parts of the book. Characters and situations appearing out of nowhere and which make little sense. It is a bit of a shame since up that point I had enjoyed the book despite the somewhat standard storyline. The book does not end in a cliffhanger although I would be a bit more worried about the situation than the protagonist appears to be.

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